Burness Band – live review

“The main support act this evening was the Tim Burness Band.

The band is made up of four very accomplished musicians, namely the Brighton based Tim Burness (guitar and vocals), drummer Fudge Smith (ex-Pendragon and ex-Steve Hackett), bassist Keith Hastings (Bamboleo) and keyboard maestro Monty Oxymoron (from legendary English punk band The Damned and also of the Sumerian Kyngs).

Prior to their performance, I was having a conversation with Tim and I must say what a very likeable fellow he is. A very down to earth guy and one you could easily go out for a pint with.

When on stage his warmth was still evident as he was having the banter with the punters in between each of his eight song set, whilst tuning his guitar.

Tim has been recording and performing in one guise or another since the 1980’s. Gaining some relative success around Europe on the way as Burnessence. In May last year, he released his seventh album, ‘Whose Dream Are You Living?’ to some great critical acclaim and I must concur with those people as I have the album and it is a fine coming together of musical styles. With each song on the album you hear elements of other artists such as Steve Harley & Cockney Rebel and Peter Gabriel’s Genesis to name just two.

So live as well as on his recorded musical output, the Burness sound features a wide range of musical styles – from progressive rock to pop-rock to ambient electronica. The lyrics cover a range of interconnected themes – from the personal to the political to the spiritual. It’s a summing up of one man’s journey through his life with contrasting themes and ups and downs. It will be interesting to see what the forthcoming ‘Interconnected’ 2018 album will bring.

At The Albert, Tim (and not Desmond, Harold or Roland – injoke!) began his set with a solo number ‘I Don’t Know What’s Good For Me’ and then invited his pals to join him for the further numbers. I noted Keith Hastings bass playing style and it reminded me of the sadly departed Mick Karn from Japan.

The punters were sent on a journey during the set from prog rock to ballad to cosmic. We learnt that ‘Infinite Ocean’ came into being as a result of standing on the end of Brighton Pier. We learnt (if we didn’t already suspect) that there is ‘Mumbling In The House Of Commons’ with little else getting done – which was delivered as a southern version of Mark E. Smith. I learn that the most powerful and outstanding Tim Burness Band track tonight was ‘Walk Through The Darkness’,
which deals with depression as its subject matter and sounds akin to Oasis – nice one!

Tonight’s Tim Burness Band setlist reads:
‘I Don’t Know What’s Good For Me’ (solo) (from ‘Infinite Ocean’ 1997 album),
‘What’s Going On In Your Head?’ (from ‘Whose Dream Are You Living?’ 2017 album),
‘Poppadom Rock’ (from ‘I Am You Are Me’ 1984 album as Burnessence),
‘Infinite Ocean’ (from ‘Infinite Ocean’ 1997 album),
‘Love Is For Giving’ (from ‘Finding New Ways To Love’ 2004 album)
‘Broaden Your Horizons’ (from ‘Vision On’ 2007 album),
‘Walk Through The Darkness’ (from ‘Finding New Ways To Love’ 2004 album),
‘Mumbling In The House Of Commons’ (from ‘Infinite Ocean’ 1997 album),

Tim Burness Band setlist from the Prince Albert gig 31.3.18

Find out more here:

https://timburness.bandcamp.com/

https://www.timburness.com/

https://www.facebook.com/tim.burness.1

Nick Linazasoro

Full review of the night at http://www.brightonandhovenews.org/2018/04/01/b-movie-play-brighton-gig-exactly-37-years-to-the-day-after-their-john-peel-session/

Review of “Whose Dream Are You Living?”

Thanks to Joe Bridge of the Real Music Club for this nice album review:-

“Tim Burness is back at the RMC on February 27th and with his seventh album, Whose Dream Are You Living? a work he has been patiently and lovingly crafting for the best part of five years. His previous album Vision On (2007) received strong notices, recognition and international reviews, so Tim had a lot to live up to with its follow up, released in November last year and available via https://timburness.bandcamp.com/

LiveBurnessOpening track Onwards and Upwards starts off with Gregg McKella’s swirling synths and electro beats before the real drums (Fudge Smith: ex Pendragon and Steve Hackett) kick in and drive the song forward, carrying the positive message of the song’s lyrics along with it.

Slowing down with Grass is Greener, this song seems to catch a man at some sort of crossroads contemplating a change in life, with Tim’s wit particularly enjoyable on lines such as “I know that some British folk like to hang out in Turkey, if I get myself out there I might feel slightly more perky. I heard things are quieter in Belgium, unfortunately there is not much that rhymes with Belgium” and “the grass is greener over there, at least I’ve still got most of my hair”!

The album continues to alternate between tempos as Monty Oxymoron (Damned, Sumerian Kyngs) starts up Set Your Spirit Free, another positive-thinking song “release the energy and set your spirit free” before the ambient sounds of Round and Round bring things down into a mellow hypnotic trance with its repetitive acoustic riff and minimal vocal lines punctuating the soundscape.

Moving on with something a bit different, Smith’s thumping percussive beats and Tim’s fiery bursts of guitar create an aggressive atmosphere to colour the assertive lyric of The Messenger, an atmosphere that builds before being punctured by a cough and a completely unexpected (should I have put a spoiler alert in?!) middle section, all Oompah band and megaphone! Another track that takes the album into different territory is the aptly titled Unlike Any Other, which is largely instrumental bar some sparse spoken lines, and carries with it a kind of modern noirish nightmare feel with its theramin-like sounds eerily playing over the stop-start rhythm.

After that midway detour, A Space for Our Love to Grow brings us back to the vibe set by the opening four tracks – a typically spacious, synthesised sound with a yearning chorus. There are again some little musical twists to keep things interesting, such as the nice acoustic / keys outro that just acts as a nice release to the emotion of the main body of the song.

Politics infiltrates the album on Stop Them. Tim’s anti-corporate, anti-capitalist protest is powerful in its passion but done with a light enough touch to not beat you over the head with its message. The music is subtle with vocals to the fore, bringing full attention to the lyrics.

After the relatively heavy Stop Them comes a song with a sprinkling of humour, playing on its name check of Doctor Who in its first line, with repeated use of Dalek-sounding voices. Otherwise What’s Going On In Your Head is one of those Ronseal songs, doing exactly what it says on the tin!

Closing out the album is Cynical World, a track that gives the album a sense of closure and of wrapping things up with the repeated vocal refrain “Our love goes on” sung over Monty Oxymoron’s distinctive backing vocals and some clean, emotive lead guitar work. Tim Burness has produced a mature and engaging work, full of hope, positivity and deep soul searching, always giving something for the mind to think over whether they be the personal, spiritual or political lyrics within, the trippy soundscapes, or the intricate musical twists and turns along the way. Five years of hard graft and personal investment well spent!”

Great gig

A few pics of our recent gig with The Lanes and Spacedogs, promoted by The Real Music Club at The Prince Albert, Brighton. Promoter Roy Weard:- “Wonderfully good gig tonight. All three bands absolutely excelled themselves and the audience wear pumping it up by the end of The Lanes gig. Great stuff.” Photos courtesy of Andy Voakes Music Photography. A great night, the first TB full band gig for a few years, here’s to a few more…

RealMusic1

RealMusic5RealMusic3

Real Music2

RealMusic4

 

 

Brighton Burness Band gig coming up – Saturday 27th February 2016

Very close to Brighton train station, The Prince Albert, Saturday 27th February. Monty Oxymoron (from punk legends The Damned) on keyboards, Fudge Smith (ex-Pendragon and ex-Steve Hackett) on drums, Keith Hastings (Andalus) on bass guitar. And me!

RealMusicGig

More Tim Burness music on YouTube

Finding New Ways To Love (2004)

Finding New Ways To Love (2004)

More tracks from my albums are now up on YouTube. Mumbling In The House Of Commons (originally written in 1981, final version released in 1989) is a punky little number and the nearest thing I’ve had to a “Greatest Hit”. It has featured on several releases down the years.

The two albums below feature Fudge Smith (ex-Pendragon, ex-Steve Hackett) on drums, Keith Hastings on bass, Monty Oxymoron (The Damned) on keyboards and myself on guitar, vocals and keyboards.

From Finding New Ways To Love (2004) there is the upbeat Open Man and the darker and rockier Walk Through The Darkness, both popular tracks. I have also uploaded Heal Your Soul and Love Is For Giving and the short instrumental Beneath The Surface.

Vision On (2007)

Vision On (2007)

 

From Vision On (2007) there are the ambient pieces Undercurrents and Undercurrents II, the space-rock of Broaden Your Horizons and the instrumental progrock of Can You Hack It?

I think they’ve stood the test of time but of course I’m biased!

Slowly but surely… the new album

Currently listening back to the latest mixes of my next album, “Spirit Level”. The title is taken from The Spirit Level, an influential book by Richard Wilkinson and Kate Pickett on the consequences of inequality in societies. With one or two exceptions, the tracks are all sounding jolly good, even though I do say so myself. Still a long way to go though, now hoping for a 2014 release.

Studio2band2013

Monty Oxymoron, Tim Burness, Fudge Smith and Keith Hastings

We made a big step forward in March, with around ten days with Julian Tardo in Church Road Recording Studios in Hove. Having originally worked on around thirty rough tracks since 2010, some ruthless decisions have been made, and it’s now down to ten or twelve. More than ever before, I have tried to put as much of my self into this album as possible. I’m trying to give it absolutely everything – I might not have many albums left in me! Musically, as with most of my material down the years, it is a mixture of “progressive rock”, pop, and electronic and experimental elements. A fair bit of my dubious sense of humour is in there too.

A few general influences on the album have been a fascinating biography of The Beatles by Sean Egan, the stunning opening ceremony of the 2012 Olympic Games, and a number of books such as the recently published The Future by Al Gore. Musically I have gone back over much of my own work down the years, aswell as listening very very carefully to many of my all-time favourite classic rock albums and artists.

There are scrillions of people making music these days, and much of it is of a high standard. A lot of great stuff is only heard by a very small audience. At this stage, I am just grateful for the opportunity to have a lot of fun expressing myself, with the help of some great musicians and friends. Drummer Fudge Smith and bassist Keith Hastings came down to Brighton for their final contributions in March. The next step is a bit of compositional homework with keyboard maestro Monty Oxymoron, then back into the studio in a few months time.