Taylor Swift – astrological birth chart

An unstoppable force to be reckoned with! Taylor Swift was born on 13th December 1989 in Pennsylvania, where she grew up on a Christmas tree farm. The ambitious and conservative Capricorn rising chart (below) is the one most commonly used. There is some doubt about the 8.36am time of birth but it makes astrological sense. Her Sun sign is fiery, optimistic and enthusiastic Sagittarius but Earth and Water are the strongest elements. The large number of Cancer-Capricorn oppositions indicates strong motivating conflicts – between home and career, romance and cynicism, and other challenges.

Unaspected Sun in Sagittarius

At its best, an unaspected Sagittarian Sun (possibly 12th house, serving the collective) is free to shine out in a truly unique and visionary way. The unconventional, humanitarian love nature of Venus in Aquarius is also largely unaspected (there is a wide-ish sextile aspect to sexy Mars in Scorpio) – again showing potential free self-expression but possible difficulties with inconsistency. A close novile minor aspect (40 degrees, 9th harmonic) between the Sun and Venus indicates joy, peace and a sense of completion. Neptune is at the Sun-Venus midpoint, a combination of self (Sun), love (Venus) and universal “Swiftie” ideals (Neptune), or a glamorous deception (Neptune), or maybe both?!

Everyone born in 1989 has the Capricorn Saturn-Uranus-Neptune conjunction in their chart, with varying degrees of strength and importance. Many astrologers have written about this and the so-called Millenial generation, with a focus on those born around the late eighties and early nineties. Although she can no doubt comfortably afford to do so, perhaps Taylor Swift is playing a small part in the birth of a new dimension (Uranus-Neptune) of material and economic responsibility (Saturn in Capricorn), having consistently donated many millions to a very wide range of charities and causes.

Moon and Jupiter in Cancer

Taylor has a Moon-Jupiter conjunction in the sign of Cancer, signifying her warm, kind and emotionally generous side. She is well known for her supportive and nurturing attitude towards many of her fans. Interestingly, a quick look at the Cancerian USA chart for 4th July 1776 shows a strong compatibility with America as a whole. A candidate for the President of the United States one day? Stranger things – much stranger – have happened.

Between 2003 and 2006, she laid the foundations of her career in Nashville, as Saturn moved over her Cancerian planets. The musical and lyrical style of country music fits the sign of Cancer perfectly – sentimental, traditional, romantic, with an emphasis on home and family values. In 2004 and 2005, transiting Pluto to her Sun unleashed a powerful and ambitious drive as she signed to Big Machine Records and became the youngest ever artist signed by Sony/ATV publishing. Her career took off, as swift as a Sagittarian arrow (sorry, couldn’t resist that one).

In August 2017 – at the time of a karmic Saturn transit to her natal Sun – Swift successfully countersued a former radio deejay she had accused of her groping her in 2013. Taylor Swift showed herself as unusually enlightened for someone in her position: “I acknowledge the privilege that I benefit from in life, in society and in my ability to shoulder the enormous cost of defending myself in a trial like this. My hope is to help those whose voices should also be heard. Therefore, I will be making donations in the near future to multiple organizations that help sexual assault victims defend themselves.”

2018 and her January 2019 Saturn return

The latest album Reputation has put her closer to the sales figures of Pink Floyd and Madonna, right up there in the big league. Saturn entering Capricorn for 2018 shows some serious challenges, a heavy time with hard work ahead. The schoolteacher of the zodiac will pass over Taylor’s four Capricorn planets (lessons in responsibility and career) and oppose her planets in Cancer (emotional struggles). This is a crucial time in her life. A single pass Saturn return over her close Saturn-Neptune (the reality of her ideals) conjunction in late December 2018 to January 2019 will be a major personal and career re-assessment. Good luck to her!

The above is an edited and revised version of a more detailed 2000-word article, originally published in the January-February 2018 issue of the Astrological Journal magazine https://www.facebook.com/AstrologicalJournal This is the bimonthly publication of the Astrological Association http://www.astrologicalassociation.com dedicated to educating the public on astrology since 1958.

Green Party Brighton gig coming up

The Tim Burness Band will be playing a short set in Brighton on Sunday 26th November at a Green Party benefit gig.

Big Green Party 2 takes place at Green Door Store, 2-4 Trafalgar Arches, underneath Brighton train station – a wide range of live music on the bill from 2pm to 10.30pm.

We will be on at 6.20pm – shortly before MP Caroline Lucas.

Sanctuary Housing – ceilings fall in and nobody cares

Ceiling collapses after two weeks in new Sanctuary house, late 2017

“I was heavily pregnant… had to be the worst thing to happen to me..”

“Sanctuary Housing – UK Leading Provider of Affordable and Social Housing”

poundsignuk

A tax-exempt housing group making £40-50 million per year, fully supported by the government.

See earlier blogs A nationwide scandal – Sanctuary Housing and Housing association complaints – no regulation of service quality!

Since the Grenfell Tower tragedy, there’s been increasing mutterings about the horrendous state of UK social housing but still no exposure of large, unregulated, (existing regulation is a bad joke) rip-off housing associations like Sanctuary.

COME ON MPs AND MEDIA PEOPLE, WHERE ARE YOU? Preoccupied with Brexit, all you MPs? (A few spoke out in a newspaper article earlier this year, no action since) Not sexy enough for you, mainstream journalists? (A few have scratched the surface this year, well done Channel 4 Dispatches on lack of regulation, full marks to John Harris for articles in The Guardian but why no follow-ups since?) WHAT ARE YOU ALL WAITING FOR, ANOTHER GRENFELL, OR SOMETHING SIMILAR? With current government policy, the problem is not going to go away. How much longer can you all ignore this?

There are many reports of other large corporate-style housing associations being just as bad. Incompetent, totally corrupt, diabolical treatment of vulnerable people, including the elderly and disabled. With Sanctuary, there are over 2000 people across several independent facebook complaint groups, including this one – Sanctuary Housing Independent Complaints Group- Countrywide

The situation has got worse since this summary, from a previous blog in 2014:-

poundsigns1. Illegal and morally questionable practices.
2. Repairs being done very badly, or not at all.
3. Many properties in very bad condition, sometimes unfit for human habitation.
4. Complaints going missing and being ignored.
5. Blatant lying and dishonest manipulation of language in order to deflect complaints.
6. Bullying, harassment and bad treatment of tenants, including the elderly and disabled.
7. Inadequate soundproofing.
8. Bad communication and a lack of consultation with communities.
9. The lowering of service standards as a result of Sanctuary takeovers.
10. Bullying and mismanagement of Sanctuary’s own staff.

 

A small sample of recent Sanctuary complaints:-

 

 

Getting the new album out there

The new CD and Digital Album release, ‘Whose Dream Are You Living?’

During the last couple of months, Whose Dream Are You Living? has gradually been getting out there, along with the accompanying video for the track Grass Is Greener. As with previous work, the album features a wide range of musical styles, including progressive rock, pop-rock and touches of electronica and ambient music. It was recorded over the last few years with the help of some great musicians and friends at Church Road Recording Studios in Hove, England. Long-term collaborator and co-producer Julian Tardo also contributed additional guitar and other instruments on some tracks.

Another step on a musical and personal journey. It’s been a long old journey (mostly in relative obscurity) since the late seventies and ‘Whose Dream Are You Living?’ is my seventh album. I like to think I’m finally reaching a certain standard after all the struggling – better late than never! Thank you to everyone who has supported my music over the years and if anything from my latest efforts touches or inspires a few people, I will be a satisfied man. It has often been a great struggle to keep going and I have not made it easy on myself by having badly paid day-jobs – mostly care and support work of various kinds. There has also been an ongoing fight with depressive tendencies and a general sense of personal failure in life. The typical, self-obsessed, “first world”, “tortured artist” syndrome!

Brief thoughts on the music business in 2017.
Speaking to a singer less than half my age in a fairly successful band, we both agreed what a farce the whole thing has become for bands or artists trying to get heard these days. Even if you are gigging on a regular basis (which I’m not, although we hope to do a few things in 2018), it now seems to be largely about uploading “content” to the likes of Spotify, YouTube and Instagram in a desperate struggle for attention. And almost no money in return. In all genres, there is clearly far too much music around and it’s largely lost its ability to make a cultural impact. Still, when I can, someone like me will always keep coming back to making music. As an old friend of mine used to say: “What else are you going to do with your life?”. Cheers!

Brighton Fringe comedy sketch show 25th-26th May

Postcapitalism by Paul Mason

Most people would agree that capitalism is not working too well these days – to put it very mildly! Author Paul Mason takes us on a journey from the origins of modern capitalism through to the current crisis we are in. At the end he offers some possible solutions in great detail, some of them based on underlying social trends that are already emerging.

The first half of the book is heavy going in places, although readers more at home with economic theory might have a different view. I found myself struggling to take in the detailed analysis of the likes of Kondratieff, Schumpeter and the relevance of Marx. Gradually the author ties the theory in with where we are now and what may be ahead. Mason suggests that we are at the point of “The exhaustion of capitalism’s 250 year old tendency to create new markets where old ones die out”. The length of several cycles, such as the one just mentioned which corresponds to a complete cycle of Pluto, was interesting to me as an astrologer. Amongst other interconnected topics, the effects of automation in factories and the how neoliberal capitalism dealt with the 2008 financial crash are explored. Most neoliberal capitalist countries are now left with ridiculous unsustainable debts.

The emergence of the information economy and the networked individual are seen as crucial to the postcapitalist future. “A networked lifestyle and consciousness, at odds with hierarchies of capitalism”. The implications of this are examined in the last few chapters, covering climate change, the population explosion and just about every other major problem you can think of. A basic income is suggested. Many of the ideas will be familiar to those who have read the likes of Andrew Simms of the new economics foundation. The reader is left feeling that there may be some hope for the future.

Arrival – a film about astrology?

The film Arrival appeared on mainstream cinema screens towards the end of last year and has been widely acclaimed as the best science fiction film for many years. It has been both a critical and commercial success. Although there are perhaps one or two clichés near the beginning, Arrival is far more sophisticated than the average film about aliens visiting Earth. There is an unusual depth and intelligence throughout, as themes of love, grief, memory and the passing of time are explored. What does it mean to be human, what is our purpose? The film is nicely paced, the award-winning music is suitably haunting, there is often a sense of magical wonder. Leading actress Amy Adams is outstanding.

Directed by Dennis Villeneuve, Arrival is an adaptation of a 1998 short story Story Of Your Life by Ted Chiang. Amongst many other things, it explores the idea that language determines thought and perception. The concept of linguistic relativity has been linked to the Sapir-Whorf hypothesis, first published in 1940 by linguists Edward Sapir and Benjamin Lee Whorf. Philosophers such as Wittgenstein (“The limits of my language mean the limits of my world.”) have explored similar territory. I had never come across Chiang before but one review had this to say about him:- “If there is a single recurrent theme in Ted Chiang’s work, it’s the attempt to square the circle between human fantasies of belief, and the perceived certainties of a rational, scientific worldview. There’s a strong sense in Chiang’s work that he sees conflicts of faith v reason, or freedom v determinism, as illusionary. That if we can simply see clearly enough, all conflicts give way to harmony. Chiang’s rigour and logic take him to a point of mysticism.” (1.)

After a brief but important introduction, the film begins in the style of many other science fiction films about aliens landing on Earth. The spaceships hover in twelve locations around the world and there is worldwide panic as humanity wonders what to do next. Some strange sounds are recorded at the spaceship that has arrived in Montana and the American government calls on linguistics professor Louise Banks (Amy Adams) and theoretical physicist Ian Donnelly (Jeremy Renner) to lead an investigative team. “You approach language like a mathematician”, Ian says to Louise at one point.

To the accompaniment of a drone that would not be out of place in a Tibetan Buddhist ceremony, Louise and her crew make their way down a tunnel in the nearest alien spaceship. This begins a series of attempts to communicate with the Heptapods, as the aliens become known. They are more interested in visual communication rather than sound.

IdentifyingLogograms

In Arrival, each logogram is divided into 12 sections, just like an astrological horoscope. As a person learns the alien language, their perception and experience of time is altered.

For astrologers, this is where it starts to get really interesting. In reference to the twelve spaceships, we have already been told that the twelve fit together to form a whole. The aliens now gradually begin to communicate by drawing a series of circular puffs of smoke in mid-air, each of them containing specific visual blobs that carry highly complex information. These circular patterns bear a striking resemblance to horoscopes, both visually and in their function. The alien language of the Heptapods is nonlinear, with no beginning or end – the whole of a particular sentence or idea is communicated at once, not in a progressive order. The past, the present and the future are presented as one.

Louise and her team set about examining the meaning of the circles, as do investigative teams in other countries. Problems emerge when different conclusions are drawn about exact interpretations of one particular message. Does it mean “Give technology now” or “Use weapon now” and is this a threat of some kind? This leads to a global crisis point and the final scenes of the film, when it becomes clear that Louise’s perception of time and reality has become altered by learning “The Universal Language”.

Researching on the internet, I have not been able to find any acknowledgement of astrological knowledge in relation to the film or the original story. It has been suggested that the alien circles may have been inspired by a Zen calligraphic symbol. Presumably, the number of striking similarities to astrology must therefore be a co-incidence. A visual language based around circles and symbols, a language that communicates complex information and changes our perception of time, a language which when learnt can change our experience of what it means to be human in the world. That certainly sounds familiar to serious astrologers! See this excellent film and draw your own conclusions, or lack of them.

  1. “Ted Chiang, the science fiction genius behind Arrival”, The Guardian, 11th November, 2016.

The original version of the above article appeared in the March/April 2017 of The Astrological Journal, the flagship bimonthly magazine of the Astrological Association.